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  1. Zest-It Clear Painting Medium

    Zest-It Clear Painting Medium

    Starting at: £6.10

    Improves flow of oil paint and reduce brush strokes. Suitable for wet-on-wet techniques. Especially suitable for blending and glazing without varnish. Learn More
  2. Lefranc Harlem Duroziez Drying Medium 75ml

    Lefranc Harlem Duroziez Drying Medium 75ml

    £9.30

    Increases gloss & transparency of glazes. Suitable for wet-on-wet painting. Gloss finish. Learn More
  3. Lefranc J.G. Vibert Painting Medium

    Lefranc J.G. Vibert Painting Medium

    Starting at: £9.30

    Gives full-bodied consistency to oils. Keeps paint workable for long periods. Satin finish. Learn More
  4. Lefranc Painting Medium

    Lefranc Painting Medium

    Starting at: £7.50

    Adds luminosity and depth to paint film. Speeds up drying. Gloss finish. Learn More
  5. Lascaux Screen Filler 18010

    Lascaux Screen Filler 18010

    £42.30

    The Lascaux Screen filler and Lascaux Screen painting fluid may be used for painting directly on the mesh as part of a waterbased screenprinting system. These products work harmoniously with Lascaux Screenprinting paste and the Lascaux Colours. Learn More
  6. Roberson 1810 Oil Medium

    Roberson 1810 Oil Medium

    Starting at: £21.70

    Traditional high oil "fat" painting medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour strength, is resisiant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamble-like quality. Stand oil/Cold-pressed Linseed oil/Canada Balsam/Rectified Spirit of Turpentine/Beeswax/Driers. Clean tools in white spirit. Do not use as a varnish, always mix with oil colour. Learn More
  7. Gamvar Gloss

    Gamblin Gamvar Varnish

    Starting at: £14.00

    Gamvar Picture Varnish saturates colors in your painting and gives the painting a unified and protective surface.
    Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol.
    Using Gamsol as its solvent, Gamvar is virtually odorless and ready to apply.
    Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.
    Please visit Gamblin's Video Demos page for additional information.

    Learn More
  8. Gamblin Solvent-Free Fluid Medium

    Gamblin Solvent-Free Fluid Medium

    Starting at: £11.00

    Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Learn More
  9. Gamblin Solvent-Free Gel

    Gamblin Solvent-Free Gel

    Starting at: £5.00

    Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. Learn More
  10. Gamblin Ground

    Gamblin Ground

    Starting at: £20.00

    Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More

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