Search results for 'pigments for oil paint'

The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. Learn More

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More

Acrylic based paint manufactured from the Metallic Lustre Pigments to an exceptionally high specification. These paints give a rich and brilliant metallic colours and will not tarnish. The colours are inter mixable and will adhere well to most surfaces including plaster, wood, canvas, paper etc. For spray application use HVLP (High Volume Low Pressure) spray gun with 1.6 or 1.8 mm nozzle. Thin the paint with 25/30 % water. Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

Old Holland 2020 Promotion

Spend £50 or more on canvas and stretcher bars, and get 20% discount off 40ml and 60ml tubes of Old Holland Oil Colour.

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Learn More

Old Holland 2020 Promotion

Spend £50 or more on canvas and stretcher bars, and get 20% discount off 40ml and 60ml tubes of Old Holland Oil Colour.

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

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Cranfield Spectrum Studio Oil Colours are made from the finest pigments for durability and performance. They are formulated for the large volume user, yet retain very good strength at an economical price. Used by many professional painters and are ideal for colleges and schools. They are ground in a refined linseed oil and the same pigments are used in their manufacture as in an artists’ quality paint. Learn More

Cranfield Spectrum Studio Oils are made from the finest pigments for durability and performance. They are formulated for the large volume user, yet retain very good strength at an economical price. Used by many professional painters and are ideal for colleges and schools. They are ground in a refined linseed oil and the same pigments are used in their manufacture as in an artists’ quality paint. Learn More

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Learn More